Drawing music and painting poetry

Learning methodologies through art as a support

Authors

DOI:

https://doi.org/10.22370/margenes.2023.16.24.3895

Keywords:

Art, architecture, teaching, architectural workshop, creative process, pedagogy, learning spaces, educational contexts

Abstract

This article focuses on the didactic importance of the conceptual use of artistic references and techniques in the teaching of architecture. The main objective is to explore how art can serve as an effective tool to enrich the learning process in the architectural field, through a specific case study: the Architecture Workshop II, carried out at the Universidad del Desarrollo during the years 2017-2018, under the tutelage of the teaching architects Roberto Peragallo, Soledad Larraín and the assistants Alejandra Martí and Andrea Coxhead.

The proposed methodology is based on the integration of artistic disciplines, such as paint- ing, music, poetry and cinema, as a support for architectural learning. It examines how the use of these artistic expressions can stimulate creativity, encourage detailed observation, promote spatial sensitivity and strengthen the humanistic  sense in architecture students. In addition, the role of artistic references as a source of inspiration for the conceptualiza- tion, process and materialization of architectural projects is analyzed.

The case study details the activities carried out within the framework of the Workshop, where students were challenged to translate musical, poetic, and pictorial elements into pre-architectural forms, spaces, and volumes. For this, the techniques used are described to capture the intangible qualities of the arts in the architectural language, as well as experimentation as a method of creative investigation.

The preliminary results reveal that the integration of the arts in the teaching of architecture can enrich the educational experience, encourage originality and strengthen the perceptual and projectual abilities and humanistic habits of students. This article seeks to highlight the relevance of the implementation of these methodologies in the training of future architects and architects, as well as promoting a multidisciplinary approach in the teaching of architecture.

 

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Author Biographies

Roberto Peragallo Del Solar, Universidad del Desarrollo

Arquitecto. Titulado de la Universidad de Chile (1975). Docente de cursos como Taller Arquitectónico, Medios de Expresión, Música y Ética en universidades como la Universidad de Chile, Universidad de la República y Universidad del Desarrollo sede Santiago. Autor publicado con libros como Conchalí apuntes para una historia y Escorzo de Ediciones Grupo Fuego de la Poesía.

María Soledad Larraín Salinas, Universidad de Valparaíso

Académica Facultad de Arquitectura, Universidad de Valparaíso. Arquitecta de la Universidad del Desarrollo de Concepción, magíster en Sustainable Architectural Production de Umeå Universitet, Suecia, y diplomada en Docencia Universitaria UDD. Profesora Auxiliar Universidad de Valparaíso, donde es investigadora adjunta del Centro de Investigación de Vulnerabilidades e Informalidades Territoriales UV, y miembro del Centro de Estudios del Paisaje UV. Además de docente UDD y UNAB. Dedicada al diseño y consultoría de proyectos sustentables en L2 Arquitectura, donde es socia y asesora certificada CES, además es experta de HayMujeres. Cofundadora.

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Published

2024-01-04

How to Cite

Peragallo Del Solar, R. ., & Larraín Salinas, M. S. . (2024). Drawing music and painting poetry: Learning methodologies through art as a support. Márgenes. Espacio Arte Y Sociedad, 16(24), 82–98. https://doi.org/10.22370/margenes.2023.16.24.3895