Whistles in the silence

Authors

DOI:

https://doi.org/10.22370/margenes.2025.18.28.5074

Keywords:

silence, violence, gender, everyday, hashtag

Abstract

In the installation work Amplified Silence, the ceramic objects have been crafted using pre-Hispanic techniques used centuries ago in the production of vessels. An aerophone whistle emanates from the vessels every time a hashtag related to domestic or gender violence is emitted. Paradoxically, what the pleasant hiss of the vessel ringing in the room announces is a linguistic act of violence. The artist Cecilia Flores has arranged a complex articulation between different orders of temporality: from domestic everyday life, from an ancestral pre-Hispanic technique, from social networks, from digital platforms (such as Twitter - now X), even from the relationship of the public with the work in the museum room. This plot, composed of strata of heterogeneous temporalities, operates as a sensitive sounding board for a form of violence that occurs daily, silenced in the order of the domestic.

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Author Biography

  • Sergio Hernán Rojas Contreras, Universidad de Chile

    Filósofo. Universidad Católica del Norte, Chile. Licenciado, magíster en Filosofía y doctorado en Literatura, Universidad de Chile.

    Filiación institucional: Profesor Titular de la Universidad de Chile. Magíster y doctorado en la Facultad de Filosofía y Humanidades y en la Facultad de Artes.

References

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Hopenhayn, D. (2020, 24 febrero). Jon Lee Anderson, periodista: «Hoy por hoy, el mundo virtual y el mundo real no son reconciliables». La Tercera. https://www.latercera.com/la-tercera-domingo/noticia/jon-leeanderson-periodista-hoy-hoy-mundo-virtual-mundoreal-no-reconciliables/938771/

John, C. (2012). Silencio. Árdora ediciones, Madrid.

Flores, Aracena; C. (2016). Sobre vestigios en constante desarrollo. Tesis para optar al grado de Magíster en artes visualescon mensión en artes visuales. Facultad de Artes. Escuela de graduados. Universidad de Chile. Recuperado en: https://repositorio.uchile.cl/handle/2250/142613

Foster, H. (2001). El retorno de lo real. Madrid, Akal,

Desmurget, M. (2022). La fábrica de cretinos digitales, Barcelona, Ariel, 2022

Gurri, M. 2023. La rebelión del público. La crisis de la autoridad en el nuevo milenio, Buenos Aires, Adriana Hidalgo.

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Published

2026-01-16

Issue

Section

Artículos

How to Cite

Whistles in the silence. (2026). Márgenes. Espacio Arte Y Sociedad, 18(28), 41-46. https://doi.org/10.22370/margenes.2025.18.28.5074