Imaginary Machinescapes

Machine interpretations of signals from the electromagnetic spectrum towards the creation of speculative soundscapes

Authors

DOI:

https://doi.org/10.22370/margenes.2023.16.24.3900

Keywords:

Mechanical listening, Machine Listening, sound art, non-human languages, technological ecosystems, machine ontology, electromagnetic fields, speculative soundscapes

Abstract

The growing use of artificial intelligence (AI) in current contexts raises questions about what kind of paths this technology opens in the field of art. In both ethical and aesthetic aspects, it seems imperative to reflect on its uses and implications. This essay arises from artistic experiments related to sound, nature and artificial intelligence (AI) systems. In that sense, the focus of this work is, mainly, on the aesthetic repercussions of symbiotic systems between nature and technology. This research has taken as its object of study the capture of audio signals in electromagnetic fields and radio frequencies. Likewise, the aesthetic consequences that the Machine Listening classification process entails and the possible interpretations and outputs that an aesthetic system can potentially generate.

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Author Biography

Esteban Agosín Otero, Universidad de Valparaíso

Filiación institucional: Department of Digital Arts and Experimental Media (DXarts), University of Washington / Instituto de Música. Universidad de Valparaíso.

Artista sonoro y de medios electrónicos originario de Valparaíso, Chile. Actualmente reside en Seattle, donde realiza su doctorado en Artes Digitales y Medios Experimentales. Su trabajo aborda la cuestión de cómo la tecnología podría proporcionar una perspectiva para observar y comprender nuestro entorno natural, social y político. Y también, indaga sobre las posibilidades estéticas de utilizar el arte y la tecnología para reimaginar y especular sobre nuestro entorno. Su trabajo involucra instalaciones sonoras y medios, objetos robóticos y performance de medios, y se ha presentado en festivales de arte y exposiciones individuales en Chile, Argentina, Brasil, Colombia, Estados Unidos, España, Finlandia y Francia. Además, ha trabajado como docente en diferentes universidades de Chile, Argentina y Estados Unidos, enseñando e investigando la intersección del sonido, los medios y la tecnología.

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Published

2024-01-04

How to Cite

Agosín Otero, E. (2024). Imaginary Machinescapes: Machine interpretations of signals from the electromagnetic spectrum towards the creation of speculative soundscapes. Márgenes. Espacio Arte Y Sociedad, 16(24), 13–24. https://doi.org/10.22370/margenes.2023.16.24.3900